Subtext lives between what’s actually happening vs what the character thinks it means. Lisa Hall-Wilson shares the use of perception to create subtext.

Subtext lives between what’s actually happening vs what the character thinks it means. Lisa Hall-Wilson shares the use of perception to create subtext.
Struggling with deep POV? You're not alone. Deep point of view is powerful—but it's also hard. Read more to learn more about cheating deep POV.
How do you show a non-POV character’s priorities, motives, or thoughts when Deep POV only allows the reader to know what the POV character knows?
I love Facebook, but a few days ago Facebook suspended my account, permanently. Lisa Hall-Wilson shares how to prepare in case this happens to you.
Stretch your creativity to remain in deep Point Of View while using the backstory to enhance the story experience without boring or losing readers.
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