

by Susan Watts
The name most often invoked in those conversations is the Amazon A11 algorithm, the system Amazon uses to rank, display, and recommend books within its marketplace. It determines which titles appear in search results, category rankings, and recommendation feeds based on customer behavior.
Amazon does not publish a detailed manual explaining exactly how it works yet publishing analysts and retail observers have studied its patterns closely enough to recognize how visibility behaves over time.
The Amazon A11 algorithm is not a publishing algorithm designed to evaluate art. It is a retail algorithm designed to evaluate buying behavior. That difference shapes everything that follows.
Amazon’s objective is not to reward literary depth or artistic ambition. Its aim is to show customers products they are likely to purchase and enjoy. Once that truth settles in, the system feels less like an invisible adversary and more like a sparring partner, revealing how well your book aligns with shopper expectations.
Let’s examine three persistent myths that continue to circulate around the Amazon A11 algorithm.
The idea that a hidden formula exists and is accessible only to elite authors is strangely comforting. If the system is mysterious, then visibility problems must be beyond our control. Frustration feels justified.
But long-term observation of Amazon’s retail platform suggests something far more practical. Visibility tends to follow two pillars: relevance and performance. Relevance concerns the alignment between what your book signals and what a reader is searching for. Performance concerns what readers actually do once they encounter your book.
Category accuracy, keyword clarity, genre signals on your cover, and blurb precision all contribute to relevance. Performance is determined by how readers interact after clicking and buying, including their continued engagement, series advancement, and overall satisfaction preventing product returns.
For any author building a long-form series, this becomes immediately tangible. When the first book clearly communicates its tone, its level of danger, its emotional intensity, and the conventions it embraces, the right readers recognize themselves in that promise. They click because it feels familiar. They buy because it matches what they were seeking. They continue because the experience fulfills the expectation that drew them in. When those signals blur, even strong storytelling struggles to overcome the mismatch.
There is no secret code. There is positioning. Your book’s position in the marketplace isn’t random, and it’s not fixed. With deliberate thought and strategy, you can look at how your book is currently presented, make purposeful changes, and improve how clearly it aligns with reader expectations.
When rankings decline after a launch spike, the experience can feel personal. You invested time, discipline, and emotional energy. Watching that work drift downward can feel like judgment.
Yet the Amazon A11 algorithm does not measure effort. It measures response.
A launch period gives Amazon concentrated data. If conversion remains strong after the initial surge, visibility stabilizes. If conversion weakens, exposure shifts toward products that are currently showing stronger buyer behavior. This is how retail systems allocate attention.
In martial arts, when a technique fails repeatedly during sparring, the exchange reveals an issue with timing, distance, or structure. This allows for adjustments and corrections to be made to fix the problems.
When visibility declines, the question becomes whether the book is converting the traffic it receives. If readers are arriving but not purchasing, the signals may need refinement. If they purchase but do not continue, the story may need strengthening.
Reviews matter, but not in the exaggerated way many authors assume. Their greatest influence lies in how they affect conversion. A large number of reviews does not automatically guarantee strong visibility if reader behavior does not support it.
What appears to carry greater weight within the Amazon A11 algorithm is what happens after discovery. Do clicks become purchases? Do purchases become completed reads? Do completed reads become continued engagement with the series? That pattern communicates satisfaction far more clearly than review count alone.
For authors writing interconnected stories, this is especially significant. When readers move naturally from one book to the next, they remain immersed in the narrative world. That continuity sends a powerful signal of a fulfilled promise and a worthwhile experience.
Despite Amazon’s lack of transparency regarding exact weighting, publishing trends suggest the Amazon A11 algorithm consistently reacts to measurable behavior. Conversion rate reveals how well your packaging aligns with expectation. Sales velocity indicates whether demand is steady rather than fleeting. Series read-through demonstrates narrative cohesion. Customer behavior such as returns or follow-on purchases shows satisfaction. Engagement within subscription models reflects the depth of reader commitment.
What is noticeably absent from that behavioral landscape is any subjective evaluation of artistic ambition. Amazon operates as a data-driven retail platform. It favors products that customers repeatedly show they want.
When your book aligns clearly with readers’ expectations and delivers an experience that encourages continued engagement, visibility increases over time. When alignment falters, exposure adjusts accordingly.
The Amazon A11 algorithm is real. The mythology surrounding it is exaggerated.
The Amazon A11 algorithm is not a shadowy gatekeeper deciding which authors deserve success. It is a feedback mechanism that measures readers’ responses to the content presented to them. That feedback can feel uncomfortable, yet it is also actionable.
You cannot control the algorithm directly. You can, however, control the signals you send through genre clarity, promise precision, series consistency, and strong narrative transitions between books. Those are structural decisions which compound over time in the same way disciplined footwork strengthens a martial artist.
When approached with that mindset, The Amazon A11 algorithm stops being a rumor to fear and becomes a system to understand. It highlights where alignment is working and where it needs refinement. For authors willing to examine their positioning with the same scrutiny they bring to craft, that understanding becomes not a threat, but a tool.
What signal is your book currently sending to readers, and does it match the experience you intend to deliver?
Under the pen name Michelle Allums, Susan Watts has authored a young adult urban fantasy titled, The Jade Amulet and is currently writing the sequel. Her short stories are also included in the anthologies Christmas Roses and Forever and Always.
Susan has dedicated over four decades to training in multiple martial arts styles and holds the impressive title of a five-time US Karate Alliance world black belt fighting grand champion. Through her karate school, she is able to impart martial arts and life skills. Susan also incorporates her martial arts knowledge into her writing.
An avid triathlete, she keeps in shape by running, biking, and swimming. She lives in the country with her husband, where they raise animals and enjoy being outdoors. Susan also has three grown children and numerous grandchildren. In addition, she is a CPA and VP of finance for a company in her hometown.
You can connect with Susan on social media or her website.
Feature picture by Pixabay.
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excellent article, well described and easily understood. Amazon algorithms have always baffled me and this explains it perfectly.
Thanks - glad you liked it. I think the important point to remember is that the algorithm is something that is constantly evolving and so must we as writers to gain traction. Something that is currently working may not last. Trends constantly change and being adaptable is a valuable asset.
The whole algorithm is postulated on a premise I believe is not correct - for me, for literary and mainstream fiction: that readers of these books go to Amazon to search for them.
I have come to believe that the kind of readers I want get their recommendations for books to read BEFORE they head over to Amazon to buy that ONE book, and have it delivered efficiently in their favorite format. They don't 'search' - so search optimization is pointless, Amazon ad money is wasted, and you can't change most of the readers who think some blogger or publication is the way to find their next read.
For these books, you have to compete in the marketplace of ideas with the traditional publishers who believe they hold the key to 'good' literary or mainstream fiction.
And somehow get past the belief of these readers that if a book hasn't been vetted and produced by a traditional publisher, it wasn't WORTHY of so being published, and it can safely be ignored.
Proof? Hard to prove a negative. But my publicist has had so far a minuscule response from the gurus in the field who review - many of whom openly state on their sites that they will not consider self-published work; I assume the ones who don't state so openly are mostly going to say no if forced to reply to a well-crafted inquiry, but prefer not to APPEAR totally biased on their sites. Just an assumption based on years of crafting inquiries which are ultimately rejected.
So those of us who write this kind of fiction as indies find the normal indie avenues unproductive (searching on Amazon, etc.); and the anti-indie bias of those who probably think it's way too much work to find the good ones, and is easier to reject all self-published work overtly or covertly.
I may be wrong, but my hypothesis at least fits the known facts.
I agree - it is hard to gain traction on Amazon unless you have a big following.
Have you found anything in particular beyond the normal indie avenues that works well to bring readers to buy your books?
Susan, this is a very interesting subject, one which I believe is going to be important to writers in the future.
Thanks for sharing!
Sally
Thanks, Sally. With so many books fighting to be seen, it's important to use every advantage we can and understanding how it all works can definitely help.
This was such a fascinating read for me, Susan. I appreciate you taking the time to lay all this out. I had a friend who would get SO frustrated with Amazon search because she used an unusual word in her title and Amazon would autocorrect it, unless you put quotes around it. It drove her mad.
I finally just told her to search by the series name (Apex Predator) and it was so much easier on her. (https://www.amazon.com/dp/B09XJG2SQL)
What are your thoughts on simplifying titles for this reason?
It's important to have a title that is easily searchable. If the readers can't find it with a simple search, Amazon will bring up other books that are similar and the reader may click on those and not look further. A lot of readers won't go through the extra steps to find the book. They go with what's easiest. I also believe its important to have a subtitle that includes searchable keywords that describe your book. And the subtitble is something that you can change and try different versions to see what works the best.
Thank you for the explanation.
Thanks! Hope it helps.
Makes perfect sense Susan. It reinforces purchasing (and reading via KU) success. "To him who has much, more will be given..." Matthew 13:12
Thanks!