Writers in the Storm

A blog about writing

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How to Write a Book in a Day

by Nick Thacker

That’s right. 80,000 words. 16 hours. One book. 

What I (and many others) thought was impossible turned out to be possible (though exhausting!) with the help of one often-overlooked tool: 

Dictation. 

Now, I’m not talking about running a country — I’m referring to speaking or talking our text aloud, into a recorder or microphone, to be transcribed live or later. 

That this felt natural to me shouldn’t come as a surprise: we’ve always been a species that shares stories through oral tradition. From ancient times when elders passed down tales to the next generation around flickering campfires, to the modern-day podcasts and audiobooks that captivate millions, the voice holds a special enchantment. 

Yet, as writers, we often limit ourselves to the traditional tools of pen and keyboard, often at odds with the organic flow of our spoken thoughts.

However, the digital era beckons a revolution for authors and professionals alike, giving rise to the transformative tool of dictation. Instead of being constrained by the speed of our typing or the occasional writer’s block, we can now seamlessly translate our verbal narratives into text. This ability not only democratizes the act of writing, making it more accessible for those who might struggle with traditional methods but also promises increased productivity.

The beauty of dictation lies in its simplicity. It eradicates barriers, enabling thoughts to flow uninterrupted. Just imagine: a world where your speech dictates the pace, rather than the limitations of your typing speed. A world where ideas aren’t lost in the time it takes to put them down but are captured in real-time.

It’s not without its faults, though — dictating fiction is vastly different in the creative headspace than using our fingers to peck out single words at a time. We get stuck on ideas, repeat descriptors, and generally need to train ourselves to keep going when our inner monologue tells us what we’re dictating isn’t going to work. 

I’ve been building an entire course on dictation for some time now, and I’ll link to it at the bottom of this post. But I wanted to give you — a potential dictator — the tools and equipment to succeed in beginning a dictation practice. 

As we navigate this guide, we’ll delve into the essential tools and mindsets required to harness the power of dictation effectively. From understanding the pivotal role of a positive mindset to selecting the right equipment and software, this journey promises to transform not just the way you write, but also how you perceive the art of writing itself.

The Role of Mindset in Dictation

My Personal Journey and the Power of Belief

When I first dipped my toes into the vast sea of dictation, it was belief that anchored me. I won’t sugarcoat it; there were hiccups. Sometimes, the words that appeared on screen weren’t quite what I’d envisioned. But, I held fast to my belief that this was a skill, like crafting a compelling protagonist or building tension in a scene. And like all skills, with practice, it would sharpen. I urge you to embrace this conviction. Trust me, every misplaced word or misunderstood phrase is just a stepping stone to mastery.

From Skeptic to Advocate

I remember my initial reservations. Could a machine truly capture the nuance of my narratives? Would it stifle or liberate my creativity? I was skeptical, yes, but also curious. My advice? Let your curiosity be your guide. Dictation isn’t just a tool; it’s a new way of engaging with your stories. Approach it with an open heart, eager to explore, and you might just find a new companion in your writing journey.

Embracing Change and Growing with It

I’ve often found that writing isn’t just about the destination; it’s about the journey. Dictation introduced me to a new path, and like my fictional characters, I had to evolve. It was less about getting it perfect and more about flowing with this new rhythm. Some of my most spontaneous plot twists and character revelations happened when I was speaking, not typing. So, give yourself the space to adapt and grow. You might just discover new facets to your storytelling.

Visualizing A New Chapter

Every time I sat down (or stood up) to dictate, I’d picture it: my thoughts flowing seamlessly, my stories unfolding more organically, and that gratifying sensation of seeing chapters grow at a pace I hadn’t experienced before. By visualizing the potential, I was reinforcing my commitment to this journey. I invite you to do the same. Envision the stories you’ll tell, the worlds you’ll craft, and the characters who will come alive through your voice.

I won’t pretend that dictation replaced traditional writing for me completely. But it did offer a new avenue, a fresh perspective. And sometimes, as novelists, that’s precisely what we need to keep our stories vibrant and our passion alive.

The Essentials: Your Dictation Toolkit

My Quest for the Right Device

It all starts with a reliable machine. 

I remember the hours I spent poring over reviews, weighing the pros and cons of Mac versus Windows. When I decided to explore dictation, I knew I needed a device that could keep pace with my storytelling ambitions. Whether you’re already writing on a high-performance machine or considering an upgrade, ensure it’s one that aligns with your needs. For me, it was all about reliability and speed.

The first decision you’ll need to make is whether to use a microphone or a recorder. I use both, depending on when (and where) I’m working: a microphone is perfect for sitting at the desk and dictating “live” (watching the words appear onscreen in front of me). 

On the other hand, a recorder is perfect for dictating “offline,” recording my voice to have it transcribed later. This is how I dictated a book in a day — I recorded all the words, then had them transcribed after my road trip!

Equipment Chronicles

My first venture into the world of microphones felt like stepping onto another planet. Who knew there were so many choices? 

You probably can’t go wrong with just about any option — you don’t need the best-quality audio when you’re dictating. But here are my favorites: 

  • Blue Yeti: My trusty sidekick. Its robust design, clear sound, and adaptability to various recording situations quickly made it a permanent fixture on my desk. 
  • Blue Snowball: Before the Yeti came the Snowball. It was my foray into the world of professional dictation, and while I’ve since upgraded, I owe much of my early dictation success to this little powerhouse. It’s a bit cheaper, but it works perfectly well. 
  • Zoom H1n (My Muse On-the-Go): I can’t count the number of times inspiration has struck in the most unexpected places: a bustling café, a quiet park bench, or amidst the gentle lull of crashing waves. The Zoom H1n became my on-the-spot muse-catcher. It’s compact, user-friendly, and never misses a beat (or a word). With it, my stories aren’t bound by location; they come alive wherever I am.
  • Generic Bluetooth Headsets: Don’t overthink it — you can get by with just about any bluetooth or wireless headset or earphone device. Some feature noise-cancellation, but I wouldn’t drop a ton of money into them if you’re going to start here. Chances are they’ll be good enough, but you always want to give yourself the room to upgrade!

Every tool I’ve adopted over the years, be it basic or advanced, has shaped my dictation journey in unique ways. But remember, tools are just enablers; it’s your voice, passion, and imagination that breathe life into stories.

The Brain Behind the Operation: Dictation Software

I’ve always felt a profound connection with words. Each sentence, each paragraph woven together is like stitching the fabric of a universe. But when I first considered dictation, I faced a dilemma: could software truly understand the nuances of my storytelling? Could it capture the very essence of the worlds I crafted with such love and attention? The answer, as I found out, was both surprising and heartwarming.

Dragon Naturally Speaking (Windows) - My First Co-author:

When I first tried Dragon Naturally Speaking on my Windows machine years ago, it felt like working with a new co-author. There were initial disagreements, of course—times when it misunderstood a character’s name or the setting of a scene.

But as days turned into weeks, we started to ‘get’ each other. The software began to recognize the rhythm of my speech, the unique intonations, and the occasional dramatic pauses. It was like building a relationship. With each session, our synergy improved, making the dictation process more intuitive and efficient.

Today, Dragon for Windows is still around, and still awesome. The downside? It’s ridiculously expensive. 

Dragon Dictate (Mac) - A Seamless Transition

Switching between my Windows desktop and my Macbook during travels posed a challenge. That’s when Dragon Dictate for Mac came into the picture. It felt like reuniting with an old friend, but in a different setting. The seamless integration with the Mac ecosystem, combined with the familiar efficiency of Dragon, ensured that my stories never faced interruptions, regardless of where I was or which device I was using.

It’s great, and I still use it, but be forewarned: they’re not making it or supporting it anymore. 

If you want my advice, don’t buy either version — instead, go with something future-proof: both Mac and Windows machines have incredibly capable built-in transcription features. You’ll have to dig around (for example, on Mac these features are hidden in the Accessibility preference pane), but it’s worth learning to use what you’ve already got!

The Most Important Rule of All

I’ve given you the equipment that I use and recommend, and you’ll have more than enough to get started. But the real “secret” of all of this isn’t really a secret at all: 

You have to practice. Dictating isn’t difficult, but getting into the right mindset, practicing the “weird stuff,” and getting over the strange feeling talking out your novel can be. 

I’ve found that the secret to getting through this phase is to have a system. It can be as simple as committing every day to trying something related to dictation, or it can be a more elaborate plan prescribed by someone else. 

Have you tried dictation for your writing? What has your experience been? What have you found that worked or didn't work for you?

On that note, I’ve got a full course on dictation called Dictation for Authors. It was created for you — the author who wants more but doesn’t have time to waste getting lost in the weeds. I’ve built a system that’s replicable, easy to implement, and will get you 4-5X the writing output in a few months of diligent practice. 

Best of all? I’ve got a coupon code for you, if you’re interested in checking out more. Just use BOOKCAREER at checkout for an additional 20% off!

Find the course here: https://www.bookcareerinayear.com/dictation

I hope you’ll give dictation a chance — it’s literally changed the game for me as an author, and it’s done the same for the authors I’ve coached. 

And if you have any questions, I’m only an email away!

About Nick

Hi! I'm Nick. I am the USA Today Bestselling Author of 40+ fiction thriller novels and nonfiction author-focused books. I like to build things for authors. In addition, I speak and present about publishing, marketing, and the future of books. If you want to work with me, you've come to the right place. If you want to read my books, you're also in the right spot! See more about my books and services at my website.

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How To Eliminate Info Dumps In Deep Point Of View

by Lisa Hall-Wilson

No one likes reading an info dump, but we writers justify their existence because we’re sure the reader needs all this background information here, right now. Info dumps kill the pace and tension in your story and readers may just put down your book and walk away forever.

What Is An Info Dump?

“An info dump is a very large amount of information, usually backstory, supplied all at once in a narrative.” Backstory is important and vital to any character and story, but the reader doesn’t necessarily need to know all of what you know or have created. As any good introvert knows, people have to earn the trust to be told your entire life story, you don’t just verbally vomit on a stranger. It’s rude. *smile*

Concerning Hobbits…

In an omniscient point of view, the worldbuilding Tolkien used in The Lord Of The Rings and The Hobbit is acceptable. Omniscient point of view though is largely out of favor with modern readers and acquisition editors.

It’s hard to ground the reader in time and place without front-loading a work with all the ways that world is different from our own world/reality/time/place. Whether you’re writing Steampunk, Space Opera, Edwardian romance, spec fic, etc etc — the key is to avoid large deposits of information. Let the world unfold for the reader as the character sees it. If everyone in your story world is green with large antennae, construct an organic scenario that would cause your character to notice it — because we don’t often think/comment on things that seem every day or ordinary.

An Info Dump:

Cassandra kept her claws rounded and painted which showed her pride in her appearance. The green-skinned passersby didn’t give her any notice. They kept their long antennae gleaming and straight. Her people were fastidious and prided themselves on their appearances. Not being noticed was a good thing.

Organic Worldbuilding:

Cassandra examined the filed ends of her claws. Last night’s fresh polish still glistened in the sun. Her antennae twitched, energy zinging to the ends of her fingers. She spun around, hands covering her gills. 

Steve backed up half a step, palms up. “Sorry, didn’t mean to startle you.” His left antennae was bent and limp. Sickly splotches of purple marred his green skin. 

A young couple swerved off the sidewalk, giving Steve a hard glare and covering their gills as they passed by. He tucked his broken claws into his palms as if trying to hide them. 

Rank body odour hit her, a mix of sour seaweed and spoiled tuna. Cass shifted to the right so the slight breeze was at her back, carrying Steve’s germs and his body odour away from her. “Where’ve you been? You don’t look so good.”

Backstory And Deep Point Of View

If you’re writing your entire novel in deep point of view (as opposed to just using this technique for emphasis in key scenes), you can avoid backstory and worldview info dumps whether through narrative, internal dialogue or spoken dialogue by asking yourself these questions:

  • What is the character worried about/interested in/working towards RIGHT NOW?
  • What information does the reader NEED to know RIGHT NOW in order for the story to make sense? How can I answer their most pressing question but leave them asking even more questions?
  • Which bits of backstory are so compelling that readers will be cheering for my character?
  • Why do I think the reader needs this information now? Is it just to prove I’ve thought of it? (You, as the writer, need to keep yourself out of the story.)

Remember, in deep point of view, we restrict the reader to only what the point of view character (POVC) knows, sees, hears, feels, touches, etc. But it’s also a very intimate and immediate style of writing, so something triggers them in the here and now — a smell, a sound.

Answer The Why

With any bit of backstory or worldbuilding info you include, ask yourself why you’re putting that there, in that scene, right now. Is there an organic reason for the character to think of it? Otherwise it turns into what I call I-have-a-puppy syndrome. I’ve been a teacher in a variety of formal capacities, and it never fails that in a group of young children someone feels left out and interrupts the conversation by bouncing up and down, their hand shooting up in the air, to say, “I have a puppy!”

That’s what it feels like to the reader to be jerked out of the character’s head and sent on a bunny trail that neither feels organic to the moment or the character.

So, ask why you want to include that information in that place of the story. Ask why your readers need that information. Often, the reader needs only a fraction of what we think they need, but be sure and offer context for the character and the setting. Giving the reader too little information is as bad as too much.

Finally, ask whether the character really would think or talk about that bit of backstory or worldbuilding. Because we rarely explain things to ourselves that we already know.

There’s Bob with Cindy, his third girlfriend this year.

There’s Bob. Is it Cindy? No, that was the second one. Mindy? I don’t remember.

Do you struggle to identify info dumps in your work? What’s your Achilles heel? What kind of info dumps are you most prone to committing without realizing it?

About Lisa

Lisa Hall-Wilson is a writing teacher and award-winning writer and author. She’s the author of Method Acting For Writers: Learn Deep Point Of View Using Emotional Layers. Her blog, Beyond Basics For Writers, explores all facets of the popular writing style deep point of view and offers practical tips for writers. 

She runs the free Facebook group Going Deeper With Emotions where she shares tips and videos on writing in deep point of view. 

Image Credits:

Top image by StockSnap from Pixabay

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Warning: Author’s Risks May Lead to Fresh Adventures

by Kris Maze

When writers take risks, it's a chance to infuse fresh energy into their craft. Whether it's experimenting with new writing methods or exploring innovative ways to connect with readers, embracing change can invigorate your work.

Nearly a decade ago, I made a deliberate choice to pursue my dream of becoming a published author by taking risks. I sought wisdom from experienced writers, publishers, agents, and editors through articles, conferences, and classes. This in itself was a risk, considering I was already pushing my limits of time and energy as a full-time teacher with a family.

Trying something new can be challenging, but it's never dull. In this blog post, I'll share the adventures and lessons I gained from these risks as a writer.

My Author Adventure

I followed blogs and watched YouTube videos on writing, craft, and marketing. I invested in small courses that honed the finer nuances of crafting compelling stories.

I joined local writing groups and made weekly visits to libraries for in-depth discussions about novels. I immersed myself in the writer's community.

I pushed through the arduous process of completing the first draft of a YA thriller novel and diligently sought beta readers. Their feedback was invaluable, prompting me to embark on a comprehensive rewrite. One which still sits on a dusty closet shelf.

I hustled to find an agent, sending out queries to publishers while scouring the internet for any opportunities that aligned with my manuscript, tracked under #MSWL. In the end, what I collected was a folder full of rejection emails.

I scoured contest listings and submitted to every competition that vaguely seemed to match the essence of my story. Looking back, I realize the importance of thoroughly researching the compatibility between my work and the publishing entity with more precision. And for those contest judges and organizers of those days, I apologize for my light indiscretions and literary version of spam. Sorry about that!

I went to conferences. Conferences that required getting onto a plane and traveling to some exotic locale called LA in California, far from my small community. There, I had the privilege of meeting fellow writer-people. Some of us banded together to form a writing accountability group that continues to this day, hosting weekly calls that offer support and insights into the ever-evolving world of publishing.

My Publishing Adventure

I found a small publisher who discovered my story through one of the many contests I entered and offered me a publishing contract. My book hit the market in the summer of 2020, but unfortunately, my well-laid plans for in-person promotions fell flat.

I didn't let setbacks deter me. Instead, I reclaimed the rights to my work and reimagined my story within a niche I intimately understood, thanks to my decades of work in education.

I made the decision to invest in editing, formatting, and proofreading services, to polish my manuscripts.

I sought guidance from exceptional writing teachers and coaches, tirelessly honing my skills and expanding my knowledge.

I undertook a website overhaul, introducing user-friendly store interfaces and a sleek, modern look. In the digital age, I understood the need to stay current.

Throughout this journey, I leaned on my trusty accountability groups, celebrating our collective successes and offering a supportive ear when we faced challenges. Together, we strengthened our resolve and pressed further into our writing goals.

My Speaking Adventure

During this past summer, a realization struck me - a connection existed between my journey as an author and the unfulfilled aspirations of other creative educators like me. I researched within my professional niche, identifying opportunities for conference presentations.

I submitted applications to speak, creating sessions designed to cater to the needs I once had as an attendee. I focused on four regional organizations and presented my proposals, hoping for the best, but not really expecting a response. This wasn't my first time submitting proposals, but it's the first time I've felt confident in the message I have to share. Despite several personal constraints, such as tight schedules and life pressures, I seized the opportunity and took the risk.

As summer transitioned to fall and I resumed my responsibilities in education, acceptance emails began to arrive. One came in mid-September, followed by two more in the subsequent week. At the time of this post's publication, I am arranging logistics for three out of the four proposals, including all the minutia of making accommodations and ensuring microphone accessibility at various venues along the U.S. West Coast.

WITS Tips for Speaking Engagements

During these developments, I've taken calculated risks and found immense satisfaction in imparting the knowledge I've accumulated during this journey to my fellow Teacher-Authors, but I'd like to clarify that my intent here isn't to provide a blueprint for delivering exceptional presentations or securing speaking engagements. Instead, my aim is to share my experience of growth, hoping it may inspire and encourage fellow writers to take risks in their author journeys.

Writers in The Storm Blog has many resources on public speaking. Here are a few posts full of valuable advice.

Writers Helping Writers: Presenting to Writing Groups

How to Talk Publicly About Writing

How to Engage Kids: The ABC’s of Author Talks at Schools

Public Speaking in a Foreign Land

Nine Keys to Being Media Ready

Going Mobile? You Need a Mobile Media Kit

Being a Cool Cat While Making Presentations

Final Thoughts on Taking Risks

Risks can be an author’s friend and an impetus for growth. I’ve been a fan of taking calculated risks for some time, and besides helping my author presence grow, I have learned far more than if I had only made safe decisions that kept me comfortable.

I'm also keenly aware that I took another risk in this post as my grammar and spell-checking software screamed that I've begun nearly every paragraph with the word ‘I’, a faux pas in writing for so many reasons.

But as writers, we know when to override the rules and make our own path. Sometimes it is the difference between being stuck or finishing your novel. Dreading a social media event or having fun promoting your work. If your author’s dreams are stalling or losing luster, consider making some changes. How are you going to break your writing-career-mold and take a risk today?

I hope you are enjoying a writing-win in your words. Please share a success story you’ve had recently with our readers and encourage each other on your author journeys.

About Kris

Kris Maze

Kris Maze is an author, writing coach, and teacher. She has worked in education for many years and writes for various publications, including Practical Advice for Teachers of Heritage Learners of Spanish and the award-winning blog Writers in the Storm where she is also a host. You can find her horror stories and young adult writing on her website. Keep up with future projects and events by subscribing to her newsletter. And other writing work HERE.

A recovering grammarian and hopeless wanderer, Kris enjoys reading, playing violin and piano, and spending time outdoors.

And occasionally, she makes homemade mac-n-cheese as comfort food for others.

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